Review - Conan The Cimmerian # 3 - Dark Horse Comics

Issue # 3 of Conan The Cimmerian by Dark Horse Comics written by Timothy Truman, the artist is Tomas Giorello and Richard Corben, colorist Jose? Villarrubia, letterer Richard Starkings and Comicraft, cover artist this go around is Frank Cho, Dave Stewart as the cover colorist.

A young Cimmerian woman Caollan and Horsa cross paths with Conan as he makes his way across the frozen mountain passes en route to his homeland in Cimmeria. During the flashback section of Conan?s grandfather, Connacht, we see how he rescues a wealthy merchant from thieves and for a reward he is employed as a blacksmith. It appears Connact is happy with this life in the city and catches the eye of a young slave.

Moving at a dynamic pace the story pits Conan against nature as much as it does the enemies he encounters. The relationship between Conan and Caollan has sexual tension and hints of unrequited love.

The cliff hanger ending of both stories hint at sacrifice and Black magic. Conan faces a evil witch that is preparing to cast a spell, and Connacht sees the young slave he fancies being led to stake prepared for burning.

The artwork by Tomas Giorello is top notch shows the intricacies of the story line in detail. As the story goes on, I?m becoming more comfortable with how Giorello draws Conan, and his presentation is beginning to take hold as the quintessence of a Conan caricature.

I really enjoy the artwork of Richard Corben, where Tomas is fluid and evocative. Corben hits you like a left to the stomach and a right to the jaw. You know you have been hit by something powerful, but you aren?t quit sure where it came from. The pictures tell the story in a two fisted way, that Robert E. Howard would have been proud of.

CONAN THE CIMMERIAN #3

Review | Conan The Cimmerian #2 Dark Horse Comics

Issue #2 of Conan The Cimmerian by Dark Horse Commics written by Timothy Truman, the artist is Tomas Giorello and Richard Corben, colorist Jose? Villarrubia, letterer Richard Starkings and Comicraft, cover artist this go around is Frank Cho, Dave Stewart as the cover colorist.

The story continues where issue #1 left off. Conan is listening to the tale of his grandfather, Connacht, as told by the hermit. The tale has Connacht taking care of the two boys he rescued, and stopping at a farm house during their travels. During the night the farmer questions Connacht at the end of a pitch fork, Connacht easily disarms the farmer, and agrees to help him look for his missing daughter.

Connacht finds the bloody remains of the farmer?s daughter and is attacked by a huge man like wolf, he fights with it, and is about ready to be killed by the beast when another one comes in and defends him but looses an eye in the fight. Connacht is able to get the better of the first wolf that attacked him and cuts the beast in half at the waist. The beast turns into one of the boys who Connacht had rescued the other wolf turns into the other boy, but is now missing an eye.

The story jumps back to Conan who takes the rapping from the hermits face and realizes he is the boy his grandfather rescued years ago. The hermit goes out to be with his brothers the wolves and leaves Conan looking out onto a frozen wind swept valley.

The story arc was ok. It gave some back story about Conan?s grandfather Connacht, showing that he has a heart for kids in harms way, and is a competent fighter. It also show that there are werewolves in Conan?s world. But overall the back story about Connacht tells us very little one how it makes Conan who he is.

The art work is truly the best part of this issue and the story arc in general. The vistas displayed are sparse, desolate, foreboding and cold, relaying the true experience of living in this world. Corben?s artwork is easily identified and gives the gritty look of history in the telling of Connacht.

All in all I would give this a 4.2 out of 5.0 on my comic rating scale. I encourage anyone that hasn?t started reading this series to start, and to pick up the previous issues, particularly issue #0. The rolling banner overhead takes you to where you can order the issues through Amazon.

Chew, a very satisfying read

Comic review by Jeff Cochran

If you enjoy gross and humorous in the same sitting, you’re going to love Chew, the new comic series released this month by Image Comics.

Tony Chu is a Vice Cop with a unique gift; he gets psychic vibes from anything he eats. He bites into an apple, he knows where it was grown, a hamburger, how the cow was slaughtered.

The story opens with a chef preparing the ingredients for a pot of soup. During the slicing and dicing, he accidentally cuts his finger, adding a little of himself to the recipe.

Cut to Tony Chu’s and partner’s stake out of a black market chicken joint. That’s right, a chicken joint. In this world, the Federal Government has outlawed all poultry and fowl because of a Bird Flu epidemic.

As Tony and partner are preparing to close down the joint, they are approached by an F.D.A. Agent and asked to halt their activities; the chicken joint is under Federal protection. The two cops are even invited in for a meal.

As he samples the chicken soup, Tony suddenly receives information about a serial killer, who happens to be working as a chef in the kitchen.

Tony and partner raid the kitchen to catch the killer, who cuts his own throat to avoid the jail time. What happens next will be left to your own reading enjoyment.

The writing of John Layman is superb; well crafted and witty. Rob Guillory provides wonderful, very stylize art that looks similar to an old Saturday morning cartoon, but darker and edgier.

This is a fun comic! The ending sets Tony Chu up for many wild adventures to come and I loved the social commentary about the Bird Flu. I can’t wait to see what these guys come up next. I hope you’ll take the time to read Chew, visit Things From Another World to order your copy today.


Jeff Cochran is the publisher of Media Explorer, a blog offering reviews and essays on genre fiction, and Alternative Coordinates, an online Science Fiction magazine.

Is the "idea" of Captain America still a superhero?

In the early 1940's some people in America new the dangers of Hitler and Nazi Germany, but for the most part the nation wanted to let what happened in Europe stay in Europe. Some people chose to show the world their fear of Nazi Germany, by what ever means they could. To this end we see the conscious creation of a political comic book character Captain America. He appeared a year before Japan bombed Pearl Harbor, and was a huge success. It should also be noted that some people were strongly opposed to what Captain America stood for, and the creator’s received a lot of threatening letters and hate mail.

Captain America fought everything from Nazis to space aliens, but throughout his career he wrestled with, and in some cases was a sounding board for, events happening within and attitudes prevalent throughout the United States. As the series progressed from the early 1940's to the 2000's his overt opposition to the real world Nazis became covert opposition to threats such as terrorists, anti-nationalism, anti-registration, and many other ideals opposed to - who? The United States or to, what Captain America once stood for.

I have heard many times that Captain America is out dated. I don’t believe this is true, because if it is, you may as well say that freedom is out dated. The red, white and blue shield carrying superhero is the embodiment of what makes this country great. He fights against evil, he questions what is right and what is wrong, and he is not deterred. Killing off Captain America is more of a metaphor for pushing aside the values and beliefs of the United States. The scary part of understanding what people are saying when they say Captain America is out dated, is that they are saying the values and ideals of America are out dated.

Here I believe that the detractors of Captain America are wrong. In the future the comic book character will be brought back, and it will coincide with a shift in the attitudes of America. I am looking forward to that day, but until then it looks as if the superhero of choice will be one that reflects the shift in the political climate and the attitudes of America, perhaps someone such as Flag-Smasher is a more appropriate supervilian for the current climate sweeping across America.